About halfway through the visit at the Art Basel Miami Beach fair this year, I felt like intoxicated, it was not by alcohol, but art...and maybe lack of sleep to catch the airplane: more than 200 galleries, 2000 artists. Art fairs are taking a toll on the visitor. The American version of the well-established Swiss Art Basel is celebrating its 10Th anniversary. This year, the galleries have ample space and an area is available for the visitors to rest and even lay on artificial grass for a snooze.
Why visit Art Basel Miami Beach? Rub elbows with the rich and famous? Feel the thrill of power and money? Take a glance at million dollar works? One can come close to a painting from Jean-Michel Basquiat worth 2.8 millions, but it is not one of his iconic graffiti. Farther, a piece from Ai Weiwei is a reminder of the artist and his absence.
Chamberlains' small and big sculptures, Tom Wesselmann, Nikki de Saint-Phalle, Fernando Botero, risque works from Linda Benglis, few Joan Mitchell, a small de K
ooning, very few Kandinski ... the list goes on. I relish the occasion to be emotionally overloaded by all these works displayed in close proximity. It is exhilarating.It feels like Art Basel Miami Beach is about making money, not about promoting artists. Could galleries do both?

photographs by the author:
installation Mike Kelly
"Mr. Kipper" Jean-Michel Basquiat, 1983
Ai Weiwei, 2011
gallery
Jonathan Messe



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