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The artist from New York, enamored with New Orleans, chose to live in a city where female artists found nurturing and opportunities.
The new sculpture, Five Brushstrokes, from the internationally recognized pop artist Roy Lichtenstein, represents a playful and lighter side of art and brings the outside world to New Orleans. NOMA is now at par with the High in Atlanta where House III gets the visit of young and not so young enthused crowds.
Lichtenstein's sculpture is flat and looks odd in front of the museum. I like sculptures with "bodies", shapes which entice the visitor to walk around and discover different perspectives, in short, three dimensional. The work looks top heavy, unbalanced and competes with the Neo-classical facade of the museum with its insipid colors blending poorly with the background.
Anyway, it is still a work in progress and I am waiting to hear from everybody else.
photographs by the author:
New Orleans Museum of Art
"Wave", 1988, Lin Emery, at its new location in the sculpture garden
The installation of Roy Lichtenstein's sculpture almost completed in front of the New Orleans Museum of Art, "Five Brushstrokes", 1984.
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