The Duchamp School

Carrying on my business one recent day (in Paris), I went to the BHV, where I last expected to find an art exhibition, but the title gave me a hint: "Courant d'Art au Rayon de la Quincaillerie Paresseuse." (approximately:Flavor of art at the lazy hardware department)

On the top floor, at " l'Observatoire du BHV", the (not too busy) shopper could take a few minutes to look at the works from fifteen young (and not so young) artists but all alive, made under the duchampian approach of the "ready-made" objects.

I noticed the French adjective to define works derived from Marcel Duchamp 's ideas: "duchampien" now also used in English, duchampian.

I thought about it and found that if we look at every object of our daily life as potential art, life becomes complicated. An object is an object. The esthetic (color, shape, decorations...) can be improved, the function should not be compromised.

Duchamp had a genial idea at the time, and became famous because of it.

The next step is the work from Arman with his

Accumulations, Coleres and more. He destroys, multiplies the object, and in the process gives it a new dimension, creating a work of art. The object cristallizes emotions and the artist interacts with the object.

Duchamp, indeed... the School of Duchamp ? Cute idea from BHV, great advertisement and a nice stroll for the not too busy shopper. But I do not need so many locks on my bicycle, one will suffice.

photographs by the author

"Sans titre", 2010 John M. Armleder

"Marcel Brancusi, Demultiple Marcel", 1987, Gerard Collin-Thiebaut

"Sans titre", 1999-2010, Richard Fauguet

Tantrums, Accumulations, and more...New Realism

In Paris, the first visit on my list: Arman (1928-2005) at the Centre Pompidou. I was curious to see a restropective of the artist who made the news when I grew up. Would I find his works provocative? irrelevant?

The visit brought me along the artist's path, from his Allures, his Cachets in the 1950's and 60's to the last piece called The Day After, 1984. The exhibition was presented by themes and more or less chronological order. Poubelles, Coleres and Coupes, Accumulations, Art Industry. The object is shattered, recreated, accumulated and acquires a soul in the process, brings the emotion: repulsion in front of the Poubelles Organiques (Organic Garbages), horror when looking at the Accumulation of gas masks titled "Home Sweet Home", 1960, discomfort in front of the "Portrait-robot of Eliane", a morbid display of her personal belongings. The "Portrait-robot of Yves Klein" , his friend, is touching, a judo uniform, an old tie, a crumbled letter, a blue page, a leaf, like relics in the transparent square box. The works can bring a smile, "Kill them all and let God sort them out" an accumulation of insects sprays or serious thoughts, "The Massacre of the Innocents", an accumulation of broken dolls.

With his Tantrums or Rages, the artist destroys the object, and I still cannot understand why so many instruments inspired this violence: banjos, mandolines, violins, cellos, pianos, trumpets... I understand the broken televisions, tables, cars...

Along the works, great videos from the artist can be looked at, also a very special document, the manifest of the New Realism signed by Arman, Yves Klein, Restany and others.

The last section (1980's) shows Arman, painter again, using colors with the same rage. He throws the paint directly on the canvas, walks on it, smashes the tubes. Some of his late works appear fake, Arman becomes a caricature and like any artist repeating himself, his message becomes flat like in "Hello Jackson" 1990, "Starry Night", 1995 or "Desert Bike", 1991.

The exhibition finishes with one of his darker work: "The Day After" made in bronze, a remake of his Combustions from the 1970s: a show of the anguish caused by the destruction of a civilization represented by the object which represents us...is that it?

I highly recommend this exhibition, the curators have ensured that all the major works of the artist are included and presented in an interesting context.

Arman still surprises me. His message is relevant today. The headline news are about crowds burning cars in France, adolescents destroying the objects which define the daily world they resent and feel powerless to change.

photographs were not allowed

top photograph http://www.flickr.com/photos/workflo/5025224751/

bottom photograph from the author: "La Victoire de Salemotrice", 1967, Accumulation Renault

Spring and Sculpture Garden

After being closed for a few months, the Sculpture Garden at the NOMA reopened yesterday. Braving unusually cold temperatures and wind , I walked through the garden, sat in the pale sun, enjoying the visit one more time.





The sculptures are displayed along the paths, under the centuries-old oaks, and become part of the scenery like this sculpture from Arman sitting in the middle of the artificial lake. It is called "Pablo Casal's Obelisk"


"Three Figures and Four Benches" from George Segal integrates also the surroundings. The sculpture is so realistic that I felt like talking to the personages sitting on the bench.


Many well known artists are represented , like Oldenburg/Van Bruggen, Jean Michel Othoniel, Allan McCollum, Louise Bourgeois, Jean-Robert Ipousteguy, Rene Magritte, and others.

The walk always brings new thoughts and impressions, depending on the seasons or the mood of the viewer.
"Spider" Louise Bourgeois

This is a free visit which should not be missed when staying in New Orleans.

photographs by the author