Sunday, August 25, 2019


Photographs, paintings, videos, installations, the forty four works from twenty three artists selected by the guest juror David Breslin, Director of Curatorial Initiatives at the Whitney Museum of American Art are not only made of different media, they also represent a whole gamut of styles. At the Ogden Museum of Southern Art, the highly anticipated opening of the yearly juried exhibition Louisiana Contemporary on White Linen Night is the occasion to discover new artists and works, and sometimes look at previously seen pieces in a new context like Sistema, 2018, from Kristin Meyers.
Near the entrance, the full-length humanoid of sizable height, wrapped in black material and red strips of cloth, is a free-standing sculpture with multiple points of view and focal points. Top-heavy, with a base anchored on a small golden pedestal, it defies the laws of gravity. The rigid torso supports two arms, each telling a different story. The left limb gracefully ends with a slender hand fit for a ballet dancer as the right with a gloved hand is ready to deliver a punch like a boxer. Above, the head is tilted upward, its face hidden by a heavy protective mask. The assemblage of sundry objects embedded in the fabric is an invitation to spend some time to look at the numerous perspectives. Shotgun, stethoscope and blood pressure cuff, a small black panther, diverse metal pieces, pommel of a sword or a knife, scalped bunches of hairs, sometimes hardly recognizable amulets, become part of the mummy-like shape. Weapons and trophies evoke a warrior. Like Janus, the androgynous creature has two faces, a small head can be spotted hanging from the upper back, tilted downward. The fixed piece is not static. Asymmetry and instability provide movement and energy. Dancing or fighting, there is action.
Going back to the title, "Sistema" or system in Italian is derived from Latin and earlier, Greek. The composition is an amalgam of cultural references crossing continents and centuries and adopts a universal language to "explore the human condition" (artist's quote).

photograph by the author

No comments: