Here and There in New Orleans

Figurative, abstract, ..., paintings, videos, ..., the diversity of works and the number of artists represented by the galleries transform a tour from Magazine, Julia and the St Claude neighborhood into a welcomed challenge for the viewer's eyes and taste. Trying to find connections between the exhibitions becomes a futile endeavor. There are no limits to artistic expression as shown by the displays and one may just decide to enjoy the adventure while wandering from place to place.  

This month is particularly fertile, starting Uptown at TEN Gallery where Peter Barnitz's solo show reveals his latest works. The painter gets inspired by various artists to create his very personal compositions built layers after layers. The resulting meditative abstract landscapes evoke Australian Aboriginal art with their maze of dots as illustrated by the piece Neutral Ground, 2018, which gave its name to the show. New black and white pieces combine the distinctive web-like graphics with drips. They also incorporate a portrait in Dream, 2018, and silhouettes in Reunion, 2018. Two sculptures reflect Barnitz's concerns regarding current events.
Just a few blocks away, Cole Pratt Gallery also features a solo show, Polymorphs from Marianne Desmarais. The collection of three dimensional wooden wall sculptures made of laser cut basswood on sheets of colored linen is an interplay between shapes, colors and shadows. Sophisticated in their simplicity, the geometric constructions reflect the background of the artist who is also an architect.
The galleries on Julia Street in the CBD offer a diversity of style from figurative to abstract. Starting at the Arthur Roger Gallery, John Alexander's oils on canvas exude romanticism featuring birds or flowers on tormented backgrounds. Beautiful and doomed, nature engenders strong emotions.  Benjamin Chamback's series of day lilies at LeMieux Galleries are painted on copper. The flowers are attractive and also dangerous, festive or deadly according to the backgrounds' colors. Abstract is represented by the minimalist sculptures from John Henry at Callan Contemporary and paintings from Deborah Pelias at Boyd Satellite while abstract expressionism is found at Octavia Art Gallery with Kikuo Saito's works.

There are always surprises and fresh ideas in the St. Claude Arts District's galleries. The 101 views from Mt. Fuji, screen captures from video games collected over five years and then edited by Ashley Anderson, are one of them at The Front. The tribute to Hokusai, who made 100 prints of the famous mountain, rejuvenates the symbol through new technologies. Coincidence? The installation from Ann Schwab in the back of the gallery is also about Japan, meditation and spirituality. The visit includes a boisterous show from Thomas Friel who unleashes his energy to create patterns or random designs in loud colors along the walls, adding a live performance (or not) to help us "better hear the voices in your head" and the melancholic black and white photographs from Jared Ragland shot in New Orleans, inspired by The Moviegoer from Walker Percy. Group shows can be overwhelming. Birds of a Feather curated by Tony Campbell at Barrister's features the works from thirty artists, best summed up by the sobering installation from Pippin Frisbee-Calder Canceled Addition about disappearing bird species. The New Orleans Art Center and Antenna present exhibitions with themes related to the 2018 Wetlands Art Tour.

For the number of galleries or artists I did not mention... I'll be back!

photographs by the author:

Peter Barnitz "Neutral Ground" (detail), 2018
Pippin Frisbee-Calder "Canceled Addition" (detail)
Ashley Anderson "Pollen Season"